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The Pisan Cantos
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Canto LXXXI
Canto LXXXI
Zeus lies in Ceres’ bosom
Taishan is attended of loves
under Cythera, before sunrise
and he said: “Hay aquí mucho
5
catolicismo—(sounded catoli
th
ismo)
y muy poco reliHión’
and he said: “Yo creo que los reyes desaparecen’
(Kings will, I think, disappear)
That was Padre José Elizondo
10
in 1906 and in 1917
or about 1917
and Dolores said “Come pan, niño,” “eat bread, me lad’
Sargent had painted her
before he descended
15
(i.e., if he descended)
but in those days he did thumb sketches,
impressions of the Velásquez in the Museo del Prado
and books cost a peseta,
brass candlesticks in proportion,
20
hot wind came from the marshes
and death-chill from the mountains.
And later Bowers wrote: “but such hatred,
I had never conceived such’
and the London reds wouldn't show up his friends
25
(i.e., friends of Franco
working in London) and in Alcázar
forty years gone, they said: “Go back to the station to eat,
you can sleep here for a peseta’
goat bells tinkled all night
30
and the hostess grinned: “Eso es luto,
haw!
mi marido es muerto’
(it is mourning, my husband is dead)
when she gave me paper of the locanda to write on
with a black border half an inch or more deep, say 5/8ths, of the locanda
35
“We call all foreigners frenchies’
and the egg broke in Cabranez’ pocket,
thus making history. Basil says
they beat drums for three days
till all the drumheads were busted
40
(simple village fiesta)
and as for his life in the Canaries. . .
Possum observed that the local portagoose folk dance
was danced by the same dancers in divers localities
in political welcome . . .
45
the technique of demonstration
Cole studied that (not G.D.H., Horace)
“You will find” said old André Spire,
“that every man on that board (Crédit Agricole)
has a brother-in-law.’
50
“You the one, I the few’
said John Adams
speaking of fears in the abstract
to his volatile friend Mr. Jefferson,
(to break the pentameter, that was the first heave)
55
or as Jo Bard says: “They never speak to each other,
if it is baker and concierge visibly
it is La Rochefoucauld and de Maintenon audibly.’
“Te caveró le budella’
“La corata a te’
60
In less than a geological epoch
said Henry Mencken
“Some cook, some do not cook,
some things cannot be altered’
'Ιυγξ . . .’ εμὸν ποτί δῶμα τὸ ὰνδρα
65
What counts is the cultural level,
thank Benin for this table ex packing box
“doan yu tell no one I made it’
from a mask as fine as any in Frankfurt
“It'll get you offn th’ groun’
70
Light as the branch of Kuanon
And at first disappointed with shoddy
the bare ramshackle quais, but then saw the
high buggy wheels
and was reconciled,
75
George Santayana arriving in the port of Boston
and kept to the end of his life that faint
thethear
of the Spaniard
as a grace quasi imperceptible,
as did Muss the
v
for
u
of Romagna,
80
and said the grief was a full act
repeated for each new condoloress
working up to a climax.
And George Horace said he wd/ “get Beveridge” (Senator)
Beveridge wouldn't talk and he wouldn't write for the papers
85
but George got him by campin’ in his hotel
and assailin’ him at lunch breakfast an’ dinner
three articles
and my ole man went on hoein’ corn
while George was a-tellin’ him,
90
come across a vacant lot
where you'd occasionally see a wild rabbit
or mebbe only a loose one
AOI!
a leaf in the current
95
at my grates no Althea
libretto
Yet
Ere the season died a-cold
Borne upon a zephyr's shoulder
100
I rose through the aureate sky
Lawes and Jenkins guard thy rest
Dolmetsch ever be thy guest,
Has he tempered the viol's wood
To enforce both the grave and the acute?
105
Has he curved us the bowl of the lute?
Lawes and Jenkins guard thy rest
Dolmetsch ever be thy guest,
Hast ‘ou fashioned so airy a mood
To draw up leaf from the root?
110
Hast ‘ou found a cloud so light
As seemed neither mist nor shade?
Then resolve me, tell me aright
If Waller sang or Dowland played.
Your eyen two wol sleye me sodenly
115
I may the beauté of hem nat susteyene
And for 180 years almost nothing.
Ed ascoltando il leggier mormorio
there came new subtlety of eyes into my tent,
whether of spirit or hypostasis,
120
but what the blindfold hides
or at carneval
nor any pair showed anger
Saw but the eyes and stance between the eyes,
colour, diastasis,
125
careless or unaware it had not the
whole tent's room
nor was place for the full
Ειδὼϛ
interpass, penetrate
casting but shade beyond the other lights
130
sky's clear
night's sea
green of the mountain pool
shone from the unmasked eyes in half-mask's space.
What thou lovest well remains,
135
the rest is dross
What thou lov'st well shall not be reft from thee
What thou lov'st well is thy true heritage
Whose world, or mine or theirs
or is it of none?
140
First came the seen, then thus the palpable
Elysium, though it were in the halls of hell,
What thou lovest well is thy true heritage
What thou lov'st well shall not be reft from thee
The ant's a centaur in his dragon world.
145
Pull down thy vanity, it is not man
Made courage, or made order, or made grace,
Pull down thy vanity, I say pull down.
Learn of the green world what can be thy place
In scaled invention or true artistry,
150
Pull down thy vanity,
Paquin pull down!
The green casque has outdone your elegance.
“Master thyself, then others shall thee beare’
Pull down thy vanity
155
Thou art a beaten dog beneath the hail,
A swollen magpie in a fitful sun,
Half black half white
Nor knowst'ou wing from tail
Pull down thy vanity
160
How mean thy hates
Fostered in falsity,
Pull down thy vanity,
Rathe to destroy, niggard in charity,
Pull down thy vanity,
165
I say pull down.
But to have done instead of not doing
This is not vanity
To have, with decency, knocked
That a Blunt should open
170
To have gathered from the air a live tradition
or from a fine old eye the unconquered flame
this is not vanity.
Here error is all in the not done,
all in the diffidence that faltered . . .
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—
Ezra Pound
The Pisan Cantos
,
1948
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